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Control tells the remarkable story of Ian Curtis, lead singer of the influential band Joy Division and one of the most enigmatic figures in all of rock music. Based on his wife's memoir, Control follows Curtis' humble Manchester origins and his rapid rise to fame, tormented battle with epilepsy, and struggles with love that led to his death at the age of 23.
Reader Reviews
Based on Deborah Curtis's book, Touching from a Distance: Ian Curtis and Joy Division, Anton Corbijn's fascinating and informative black-and-white film, Control (2007), chronicles the short, unhappy life of Ian Curtis (1956-1980), from his pursuit of art and literature at age 17 (while obsessed with David Bowie), to attending a Sex Pistols' show in 1976 (where he met Joy Division bandmates, Bernard Sumner, Peter Hook, and Terry Mason), to his contributions as lead singer and lyricist for that brilliant post-punk band (which he joined the same year), to his May 18, 1980 suicide at age 23. Corbijn, who is perhaps best known for directing videos of Depeche Mode, U2, and The Killers, cast an unknown actor, Sam Riley, to play Curtis, and Samantha Morton to play the part of of his wife, Deborah Curtis. Curtis married Deborah in 1975, while they were just teenagers. They soon had a daughter, Natalie, in 1979, while Curtis was also working as a civil servant at a Job Centre in in Manchester and performing with the Joy Division at night. In his spot-on portrayal of Curtis, Riley not only resembles Curtis in his appearance, but in his portrayal of Curtis's quiet, awkward demeanor. For the role, Riley masters Curtis's unique dancing style while performing (reminiscent of the epileptic seizures Curtis was known to experience, sometimes even while on stage). Beautiful Alexandra Maria Lara plays Curtis's extramarital lover, Belgian journalist Annik Honoré, the possible inspiration for the Joy Division hit single, "Love Will Tear Us Apart." Corbijn's film conveys all the existential angst, emotional isolation, alienation, and urban degeneration of his subject's short life. The film's dark, final scenes depicting Curtis drinking (on the eve of his first U.S. tour), while watching Werner Herzog's 1977 film, Stroszek, and listening to Iggy Pop's The Idiot, all the while contemplating hanging himself are profoundly haunting. Although this film will appeal to anyone with an interest in Joy Division, it deserves a much wider audience for its mesmerizing character study of a troubled young post-punk artist. G. Merritt
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Control (The Miriam Collection)
Available from Amazon Price: $28.95 Updated on 11-16-2008.


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