Eugenie de Sade

Buy This Item Eugenie de Sade by Blue Underground  Available from Amazon  $26.99  on 11-29-2008     Esteemed author Albert Radeck is the toast of the Berlin literati and the object of his stepdaughter Eugenie's affections. However, when his doe-eyed little darling unmasks her sophisticated father figure as a sex-crazed psychopath obsessed with perpetrating the perfect crime, she transforms from innocent ward to a willing accomplice. The deadly duo seduce and destroy everyone in their path - until Eugenie's charms spark a jealous rage in Albert that threatens to consume them both.<P>Prolific filmmaker <b>Jess Franco</b> (MARQUIS DE SADE'S JUSTINE, SADOMANIA) again brings the writings of the Marquis de Sade to bloody life with the aid of the sinister <b>Paul Muller</b> (EUGENIETHE STORY OF HER JOURNEY INTO PERVERSION), and the beguiling beauty of <b>Soledad Miranda</b> (VAMPYROS LESBOS, SHE KILLED IN ECSTASY) and <b>Alice Arno</b> (JUSTINE DE SADE). This twisted tale of the perverse has been remastered from its recently discovered original negative and is offered completely uncut and uncensored. Reader Reviews Eugenie (Soledad Miranda) is a shy girl who lives with her famous writer stepfather (Paul Muller) in an isolated villa. Eugenie wiles away her days dressing like a streetwalker and sneaking peeks at hot titles in the library. One day she stumbles on to a slim volume that blends eroticism with murder. Her stepfather confronts her about the illicit peep, but reassures her that "it's high time you read about such things!" Together they conspire to murder a low-rent nudie model in Brussels while using their attendance at a Paris nightclub that same evening to cover their tracks. Once successful, they begin a killing spree targeting prostitutes. A writer (an unwashed Jesus Franco) is aware of their activities, but does nothing to stop them, too mesmerized from afar by their sex-and-death games. Eugenie then sets her sights on a virginal, young jazz musician and jealousy rears its ugly head. Daddy brutally attacks Eugenie and commits suicide, and Eugenie's deathbed confession falls on Franco's disapproving, fascinated ears. Eugenie de Sade has an awful lot of what's to be expected in any Jesus Franco film. Ragged pans, halting zooms, a few sparsely furnished sets, nightclub scenes and Franco is an extended role. The very same elements appear in the director's many, many lesser films but with Eugenie de Sade he comes close to crafting a masterpiece. The film's success relies heavily on the tiny shoulders of doomed actress Soledad Miranda, who was to die in a car accident shortly after completion. Frequently seen in a crouching position, her knees to her pretty little face (although in some shots she looks much, much older than her 26 years), Miranda creates sexual tension by just being there. Wearing a red cape, floppy orange hat and oversized sunglasses during the initial murder, Video Watchdog Tim Lucas would later enthuse how Miranda would be the only actress capable of carrying off the scene in hideous thrift store clothing. Through his muse Miranda, Franco is able to milk much romanticism and high melodrama using familiar, shopworn materials. Another factor contributing to the film's success is unexpected and little written about: a clear and consistent adherence to themes of the source material. Loosely based on Eugenie De Franval by the Marquis de Sade, Eugenie is a respectful exploration of classic sadism. In an interview included on the Blue Underground disc, Franco explains that as a 16-year-old boy living in Franco's Spain he was introduced to the works of de Sade from a kindly older gentleman's library. Flabbergasted by the Marquis' evil writings and clear-headed philosophy, the older gentleman, like the stepfather in the film assured him that "it was high time that he read such things!" Unable to film de Sade's fantasies on a box lunch budget, the finished product was at once too strong for the producers. Wide-eyed depictions of incest and murder amid the expected naked ladies were seen as off-putting to the European soft core market. The film is especially damning to those who choose to watch it. The film's credits unspool over some lesbian groping by Miranda and a pretty blonde, and the viewer assumes that the shaky, handheld photography is just par for the course for a cheap sex film. It's only after Muller comes on to the scene and kills the blonde does it dawn on us that we're watching a snuff film, being screened with clinical detachment by Franco. De Sade argued that those who watch monstrous acts and do nothing to stop them are just as guilty as the perpetrators. On a more personal level ... in my late teens I was given a thick book of de Sade's writings by an older relative, who perhaps decided that I was of age and it was also high time that I read such things. Fascinated and repelled, I would go on to do a research paper on de Sade, aided and abetted by an older female professor who I suspect was romantically interested in me, who was at once disgusted, but wanted to know more ... but I digress. A final delicious tidbit is the interview with Franco included on the Blue Underground disc, which concludes with him forcefully denying that he and Miranda were lovers, but had a "father-daughter" relationship. As several others have pointed out, that's DEFINITELY not the impression he wants to leave the viewer with after they see this particular film!

Eugenie de Sade Available from Amazon Price: $26.99 Updated on 11-29-2008.

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