Highlighted by Swoosie Kurtz's Tony Award-winning performance, this 1982 recording of <I>Fifth of July</I> preserves what is likely to remain the definitive production of Lanford Wilson's highly acclaimed play. Originally presented on PBS's <I>American Playhouse</I>, the videotaped performance retains director Marshall W. Mason's original 1978 staging for New York's legendary Circle Repertory Company, while allowing TV director Kirk Browning to "open up" the play with outdoor exteriors of Wilson's Lebanon, Missouri, setting in the summer of 1977. It's there that Kenneth (Richard Thomas), a disabled Vietnam veteran, is reunited with several friends from their days as student activists, reflecting on their past, present, and future with varying degrees of trepidation, hope, and wisdom. Groundbreaking in its casual portrayal of an openly gay couple (Jeff Daniels is superb as Kenneth's supportive lover), <I>Fifth of July</I> clearly influenced <I>The Big Chill</I>, offering a formidable acting showcase to a young cast (including <I>Sex and the City</I>'s Cynthia Nixon) whose careers were boosted by this one-of-a-kind ensemble experience. <I>--Jeff Shannon</I>
Reader Reviews
Lanford Wilson is the modern day Chekhov, and while "Fifth of July" isn't the absolute best example of this, it comes pretty darned close. The only thing really out of place is William Hurt as Kenneth, here portrayed by Richard Thomas. Throw away all preconceptions of Thomas's from his most famous earlier work (involving a family drama), and you'll find yourself very satisfied with his performance, as he is able to play the typically reserved, held-back Wilson-esque character of Kenneth with greath verve and conviction. He seems to be having so much fun, always smiling and giggling, but you can see in Thomas's performance that there's deep emotional baggage stirring, and even though William Hurt would've been able to more thoroughly convey Kenneth's complex character, Thomas does a very good job and it doesn't affect the quality of the production at all. Just don't stare directly at that mole-thingie on his face!Swoozie Kurtz won the Tony for best actress, and you can see why clear on screen. Gwyneth Landis is one of the great characters of stage. . . outrageous, yet not Roberto Begnini level crazy. It's very pathological (the good meaning) and motivated. You'll enjoy it very much.
The production also features great performances from Jeff Daniels as Judd, and looking back now, after all the comedies that he's become so well-known for, you'll realize that he's an even better dramatic actor (on Stage and Film). He and Thomas seem to have a good affinity. The rest of the cast, save Cynthia Nixon, is from the Broadway cast, and they're all excellent.
Speaking of Cynthia Nixon, even at such a young age, she gives a truly excellent performance as June Talley, the last of the Talleys. Her part really isn't a large one . . . she's a supporting character, but she fulfills much more than her supporting part offers, and her eyes are magnetic, if not hypnotic in their intensity. She's young and naive, yet still she possesses
a great sense of maturity, and her ending speech, about how she is the last of the Talley's, is great. If you're a fam of the Talley Trilogy, you'll very much like the little resonances here and there in "Fifth of July."
I don't think "Fifth of July" would be as enjoyable for younger people as opposed to older ones. The subject matter alone dictates that, so if you're reading this now, you're probably be just fine. If you lived during the turbulent Sixties, then this production will definately be of interest to you. If you're a fan of good drama, not matter the medium, you'll find a lot to enjoy in "Fifth of July."
If you're a fan of Lanford Wilson, and have seen or read "Talley and Son," and "Talley's Folly," the other two plays in the Talley Trilogy, then this is a no-brainer. We're very lucky that finally, Wilson's great works have begun to emerge into the video mass media. Now many more people can experience his magic.
Bravo!!!
