Inherit the Wind

Reader Reviews
After over forty years this remains a truly powerful film, and the secret is not hard to locate: Spencer Tracy and Fredric March. These two great actors, both near the end of their respective careers (both would make other films, but it would be the last great performance in March's career and one of the last in Tracy's, though he did go on to excel in both JUDGMENT AT NUREMBERG and GUESS WHO'S COMING TO DINNER). Remove them from the film, and there wouldn't be a whole lot left. Luckily, they are in it, and between them they manage to chew up scene after scene as they display movie acting at its very finest. The story, of course, is loosely (though not too loosely) based on the Scopes trial, where Clarence Darrow defended John Scopes from charges of having taught the theory of evolution in a public school. William Jennings Bryan, former US senator, secretary of state, and three-time presidential candidate, argued the case for the prosecution. Although the real-life trial was covered by a huge press corps, the movie focuses on only one reporter, the fictional E. K. Hornbeck, who is loosely based on H. L. Mencken and played somewhat against type by Gene Kelly (sadly, it would also be Kelly's last major role; unlike his friend and rival Fred Astaire, his career was cut short partly by the demise of the musical and partly by injuries that made dancing harder for him as he aged, but also unlike Astaire he was unable to find quality acting roles as he aged). The film is also served well by an excellent supporting cast. Harry Morgan, later familiar from M*A*S*H, capably plays the judge in the trial. Dick York, later the first Darren in BEWITCHED (interestingly, a TV show based on I MARRIED A WITCH, in which Fredric March played the "Darren" equivalent) is a familiar face. Claude Akens, who guest starred in literally hundreds of television shows from the 1950s through the 1980s, got one of the larger roles of his career as Rev. Jeremiah Brown, like Kelly against type since he usually played cowboys, criminals, or police officers. I have often had mixed feelings about director Stanley Kramer. While I like several of his movies--especially ON THE BEACH, THE DEFIANT ONES, and this one--I always get the impression that I like them despite his direction. His films always seem to drift in the action, seem to lack focus, and have a poor pace. The overall structure of his films seems to be weak. On the other hand, he seems to have been an actor's director, and many of his films feature strong performances. This is all to say that this is not a well-directed film, and without the two stellar leading actors, it might not have been much to see. As it is, however, it remains a riveting film, and even if there isn't a great deal beyond the two leading performances, that alone is sufficient to make this a must-see film.